Painting
with Pixels:
Technology Makes Finishing a Painting a Genuine Pleasure
Ive been an artist
for all my life (45+ years), beginning with my own feces (Yeah,
I know, how crude. But, have you ever seen a small child discover
the delights of whats in his or her diapers?), to pencil,
to charcoal, to oil colors, to pastels, to watercolors, to gaining
skill with todays hi-tech acrylics. Making art is necessarily
a messy and expensive activity, and can be quite frustrating
when things dont come out quite as you envisioned them.
Computers have revolutionized
the way I do art, and Id like to share some ideas and techniques
with all the artists out there who also enjoy creating computer
graphics. If you have PhotoShop installed on your computer, you
have all the paints and brushes youll ever need to not
only begin a new painting, but finish and enhance a partially
completed work thatll make your eyes bug out. Below is
an evolution of a painting I started in 1998, but never finished
until I scanned it into my computer and attacked it with the
marvelous tools available to me in PhotoShop.
First, I had to scan in the painting in two pieces, as the canvas
was 12" x16", but my scanner bed only 9" x 12".
That was the biggest challenge, as alignment was critical to
a good, seamless stitch. It helped to measure and
pencil alignment marks on the back of the canvas so I could position
the painting correctly on the scanner.
I brought the two pieces into PhotoShop side-by-side, created
a new, empty PhotoShop canvas large enough to accommodate both
pieces, and copied each half on a separate layer so I could begin
the tricky stitching process. |

The Original Painting,
scanned in 2 pieces and stitched into one file
Next Page in series... 
Poster  |
As I had scanned in about
1/2" extra at the stitch junction, I could overlap the two
halves where they met to get a nice invisible seam (by the way,
disable auto color adjustment in your scan programthe two
halves will NOT have the same hue if you dont!). Once the
two halves looked aligned, I sampled the exact color at the seam
with the eyedropper tool, and using the airbrush tool at about
60% opacity, sprayed brown over any visible seam so the two halves
appeared as one. I then merged the two layers into one, and saved
the file as a PSD file, thereby setting the painting up for the
really cool editing and enhancing I planned next. |